Dr. Skorton will be awarded an honorary doctorate during the commencement ceremonies, as will eight other people who have distinguished themselves in business, law, the arts, or public service. See here for full details on Fordham’s commencement ceremonies.

Honorary doctorates of humane letters will be awarded to Dr. Skorton and to Judith Altmann, vice president of the Holocaust Child Survivors of Connecticut; Gregory Boyle, SJ, head of the gang-intervention group Homeboy Industries; Maurice “Mo” Cunniffe, FCRH ’54, a successful businessman and key supporter of Fordham; Patricia David, GABELLI ’81, global head of diversity for JPMorgan Chase; and Sr. Carol Keehan, DC, president and CEO of the Catholic Health Association of the United States.

An honorary doctorate of laws will be awarded to Loretta A. Preska, LAW ’73, chief judge of the U.S. District Court for the Southern District of New York.

Honorary doctorates of fine arts will be awarded to Robert Battle, artistic director for the Alvin Ailey American Dance Theater, and to Henry Cobb, founding partner at the architecture firm Pei, Cobb, Freed & Partners and co-designer of Fordham Law School’s new building.

Cobb and Preska will receive their honorary doctorates at the law school’s diploma ceremony, to be held Monday, May 23, at the Beacon Theatre in Manhattan. All other honorary doctorates will be awarded at the main University commencement on May 21.

Preska will speak at Fordham Law School’s diploma ceremony. David will speak at the Gabelli School of Business’ diploma ceremony for master’s degree candidates, to be held May 23 at the Beacon Theatre. Father Boyle will speak at the diploma ceremony for the Graduate School of Social Service, to be held May 23 at Lincoln Center’s David Geffen Hall.

David Skorton became the first physician to lead the Smithsonian Institution when he began his tenure in July 2015. He oversees 19 museums and galleries, the National Zoo, and various research centers devoted to astrophysics, tropical research, the natural environment, and other areas.

During his tenure, Dr. Skorton has made arts programming a priority at the Smithsonian, and he continues to advocate for a greater national commitment to arts and humanities education. In an address at the National Press Club in December, he called for reversing what he called our nation’s “disinterest and disinvestment in the arts and humanities” while also preserving the nation’s commitment to science.

As he put it, “This commitment must be based on an understanding that the arts and humanities complement science and that together they us make better thinkers, better decision makers, and better citizens.”

Dr. Skorton earned both his bachelor’s degree in psychology and his medical degree from Northwestern University before completing his residency and fellowship in cardiology at the University of California, Los Angeles, in 1979. He then joined the faculty of the University of Iowa, where he held professorships in internal medicine, biomedical engineering, and other fields before serving as the university’s president from 2003 to 2006.

In 2006 he was named president of Cornell University, where under his leadership the university joined with Technion-Israel Institute of Technology to win a competition to develop a new campus, Cornell Tech, on New York City’s Roosevelt Island. He also won praise as a highly effective fundraising at both Cornell and the University of Iowa.

Dr. Skorton has also served as a professor in Cornell’s Department of Biomedical Engineering and in the departments of medicine and pediatrics at Weill Cornell Medical College. He is a pioneer in applying computer analysis and processing to improve cardiac imaging, and has published two major texts and numerous other writings on cardiac imaging and image processing.

He is also an amateur flute and saxophone player who once co-hosted a weekly Latin jazz program on the University of Iowa’s public radio station.

Other Honorary Degree Recipients:

Judith Altmann is a Holocaust survivor who shares her story widely in Connecticut and Westchester County schools as a way of encouraging young people to make a better world. Born in 1924 in Jasina, Czechoslovakia, she was confined in Nazi camps at Auschwitz, Essen, Gelsenkirchen, and Bergen Belsen in 1944 and 1945. She is a vice president of the Holocaust Child Survivors of Connecticut and recipient of the Anti-Defamation League’s Daniel R. Ginsberg Humanitarian Award for 2013.

Robert Battle is artistic director for the Alvin Ailey American Dance Theater, which offers a BFA in dance in conjunction with Fordham. Renowned for his challenging, athletic, and lyrical choreography, Battle was named one of the Masters of African American Choreography by the John F. Kennedy Center for the Performing Arts in 2005, among his other honors. He established the Ailey company’s New Directions Choreography Lab to nurture emerging talents, and continues to expand the company’s community outreach and education programs.

Gregory Boyle, SJ, is executive director of Homeboy Industries, one of the nation’s largest gang-intervention organizations. Hundreds of former gang members have changed their lives by taking advantage of the organization’s work program and its services including education, legal help, and substance abuse counseling. Father Boyle is an internationally recognized expert on gang intervention approaches and author of The New York Times bestseller Tattoos on the Heart: The Power of Boundless Compassion (Free Press, 2011).

Henry N. Cobb is a founding partner at the award-winning architecture firm Pei, Cobb, Freed & Partners. Along with his colleague Yvonne Szeto, he designed the new 22-story Fordham Law School and McKeon Residence Hall building at Fordham’s Lincoln Center campus. His many other distinctive projects include the iconic John Hancock Tower over Boston’s historic Copley Square, which earned the prestigious Twenty-Five-Year Award from the American Institute of Architects.

Maurice “Mo” Cunniffe, FCRH ’54, chairman and CEO of Vista Capital, is a successful engineer, businessman, entrepreneur, and Fordham trustee emeritus who is one of the University community’s most vital and longstanding supporters. He played a pivotal role in the expansion of Fordham Prep as one of its trustees from 1983 to 1995, and his extraordinary financial support for Fordham was recognized in 2013 with the renaming of the Administration Building at the Rose Hill campus in his honor. He served on the Fordham University Board of Trustees from 1995 to 2003.

Patricia David, GABELLI ’81, managing director and global head of diversity for JP Morgan Chase, has been widely recognized for integrating diversity efforts throughout the company over the past 15 years. With her help, the company was named to Black Enterprise’s 2015 list of the most diverse companies, and she herself has received honors including the YMCA’s Black Achievers in Industry award. She serves on the advisory board for the Gabelli School of Business and was named the school’s Alumna of the Year for 2015.

Sr. Carol Keehan, DC, is a passionate advocate for expanding health care access. Sister Carol was recognized by President Obama for helping to secure passage of the Affordable Care Act, and Pope Benedict XVI bestowed on her the Cross for the Church and Pontiff to honor her humanitarian efforts. Since 2005 she has been president and chief executive officer of the Catholic Health Association of the United States, a membership organization comprising more than 600 Catholic hospitals and 1,400 other health ministries.

Loretta A. Preska, LAW ’73, is chief judge of the U.S. District Court for the Southern District of New York. In more than two decades as a judge she has ruled on many high-profile cases, such as those involving computer hacking, sentencing of a Somali pirate involved in hijacking a U.S.-flagged cargo ship, and the parody of an Annie Leibovitz photograph. She is a steadfast and generous supporter of Fordham who received Fordham Law School’s Louis J. Lefkowitz Public Service Award and the Fordham Law Alumni Association’s Medal of Achievement. A member of the Fordham University Board of Trustees from 2007 to 2013, she is now a trustee fellow.

Today, a new 22-story law school and undergraduate residence hall, designed by Pei Cobb Freed & Partners, is visually vitalizing the association that until now existed in name only.

The new law school sings as part of an ensemble, complementing, but not mimicking the travertine stone palette of the Metropolitan Opera. Or, as a recent article in The New York Times described it: “Clad in precast concrete panels, metal, and glass, the building features a series of undulating arcs intended to make an engaging gesture toward Lincoln Center while providing a distinctive identity for the law school.”

Henry Cobb collaborated on the design of the 468,000-square-foot building with design partner Yvonne Szeto. For Mr. Cobb, at 88 years of age, the completion of this project is a capstone for a year that has included receiving the gold medal in architecture from the American Academy of Arts and Letters. It is the largest academic building of his 65-year career.

“From the first visit that Yvonne and I made to the site, we were aware it was a very privileged location because we were creating a new face for Fordham toward Lincoln Center,” said Cobb.

The new building engages its surroundings on several levels. At street level, visitors can peer into a moot courtroom through a wall of windows. A student café enlivens the sidewalk. Just above, the building is set back, making space for a generous veranda. The floors of the law school continue up another eight stories behind a sinewy checkerboard façade of precast concrete panels and glass. Above are undergraduate student residences in a tower that reaches 22 stories, distinguished from the law school by a convex glass curtain wall which thrusts out toward the arts complex. To the south the tower maximizes sky exposure to the Moses Plaza by angling away from the park, while the law school’s lower register gently cups the green space to complete its cloister-like atmosphere. A grand stairway on 62nd Street invites the public in. At the top, the building aligns itself with the city’s grid by gesturing in an exact perpendicular to Broadway.

“It’s an acknowledgement of the intersecting grid of the city,” said Cobb. “I think it’s kind of wonderful that we were able find a way of acknowledging Broadway’s diagonal in this building and yet it’s up in the sky. It would have been inappropriate at street level, but up in the sky it’s powerful.”

Perhaps most unique to a congested city like New York, are the uninterrupted views of the building—something afforded by only a handful of sites in Manhattan.

“From the Lincoln Center plaza you can actually walk towards this building and see it in full view alongside the arches of the Met,” said Szeto.

The undulating curves of the building’s exterior work their way into motifs in the terrazzo floors, stainless steel elevators, and leaflike acoustic panels that drop down from the ceiling. Circular stairs join three sets of bi-level floors that include classrooms, the Maloney Library, and administrative and faculty offices. Atop it all, on the ninth floor, the Geraldine Ferraro Clinical Education Center houses a program that serves clients and trains students.

Throughout, lounges and movable seating encourage impromptu collaboration.

While architecture is an inherently collaborative profession, it’s usually the man at the top who gets all the credit—and it is usually a man. In this case, Cobb said he was very much “aware of how Yvonne’s sensibility has changed my way of thinking over the years.

“I don’t want to get specific, but it has to do with certain ways of thinking about form that are natural to her and not natural to me, which I appreciate.”

Szeto downplays the role of gender in the school’s design.

“I think our responses come from the site, and the specifics of the program of the client. So I don’t think its necessarily ever masculine or feminine. It’s just a natural synthesis of an outcome.”

“Here at Fordham, it’s all about the architecture reflecting the pedagogy of the place and reflecting the way they want to teach law.”

Four years after the first ceremonial shovel was thrust into the ground, and decades after it was first conceived, the Fordham School of Law’s new nine-story facility was officially declared open for business in a ceremony on Sept. 18.

Faculty, administrators, and students packed up their things and moved out of their old home in three waves during August. They moved into a space that is far and away larger, more modern, and more reflective of a world-class institution.

— Photos by Chris Taggart, Dana Maxson, Kathryn Gamble, and Michael Dames

VIDEO: Watch a time-lapse video of the new law school building and residence hall construction.

Fordham Law New Building Construction Time-Lapse from Fordham Law School on Vimeo.