“Artists are entrepreneurs. We are our own business.” That’s what Fordham Theatre grad Marjuan Canady, FCLC ’08, says when she teaches creative entrepreneurship at places like Georgetown University and NYU. Her words ring true for many Fordham alumni who have cut a professional path with their arts and business acumen.

“There’s creativity in everything that is going on in the room, whether it’s the business side or the actual creative side,” said Canady, who founded Sepia Works, a multimedia production company, and Canady Foundation for the Arts, a nonprofit that creates educational and career opportunities for youth of color by connecting them with professional artists. “That’s what makes it fun.”

SaVonne Anderson, FCLC ’17

Founder and Creative Director, Aya Paper Co.

After graduating from Fordham in 2017 with a degree in new media and digital design, SaVonne Anderson worked at the Studio Museum in Harlem, where she had interned as a student. Being around inspiring art got her gears turning, and she decided to start her own greeting card and stationery business, Aya Paper Co., in 2019. The following year, she decided to focus on Aya full time. Since then, her work has been featured in Time, Allure, and Forbes magazines, and carried in stores like Macy’s, Nordstrom, and Whole Foods. And while it can be difficult to balance her design and illustration work with the demands of running a business and the challenges of parenting a toddler, Anderson feels it’s all worth it.

Martha Clippinger, FCRH ’05

Artist and Designer

Like many textile artists, Martha Clippinger, FCRH ’05, was greatly influenced by the Gee’s Bend collective, a group of African American quilters whose work she first saw at the Whitney Museum as a Fordham student. “It ignited a desire to explore color and shape and rhythm,” she says. More than 20 years later, Clippinger has made a career out of that artistic exploration, displaying her work in museums, galleries, and corporate collections, and selling bags, rugs, and tablet covers on her website. Some of those items are woven by her professional partners in Oaxaca, Mexico, where she spent time on a Fulbright-Garcia Robles grant in 2013.

Katte Geneta, FCLC ’06

Founder, Narra Studio

Katte Geneta grew up thinking she was going to become a doctor. But when she arrived at Fordham and took a fine arts class, she discovered a talent for drawing. After graduating in 2006, she exhibited her paintings and later pursued a master’s degree in museum studies at Harvard. Soon, she took up weaving—the smell of oil paint made her nauseous while she was pregnant. Motivated by a conversation with a weaver in the Philippines who was hoping to find broader exposure, she started Narra Studio. The studio sometimes designs goods and sometimes just works on distribution. It partners with upward of 15 weaving communities in the Philippines and sells the pieces—from jewelry and blankets to jackets and traditional barong tops—through its website and at markets.

Bryan Master, FCRH ’99

Composer; Founder and Executive Producer, Sound + Fission and Partner in Crime Entertainment

Bryan Master has been writing and playing music for as long as he can remember—he apologizes to any Fordham neighbors who may have heard his frequent drumming at Rose Hill. But when he graduated in 1999 with a degree in communications, his passion took a backseat to his job in advertising—until 2022. That’s when his side hustle—a music, production, and creative services company called Sound + Fission—became a sustainable, full-time endeavor, thanks, he says, to a boom in audio storytelling listenership. Along with his other company, Partner in Crime, which focuses on creating and developing series, Sound + Fission was behind Can You Dig It?, an original Audible series about the birth of hip-hop that featured narration from Public Enemy’s Chuck D.

Courtney Celeste Spears, FCLC ’16

Co-Founder and Director, ArtSea

Courtney Celeste Spears had achieved many of her dreams as a dancer: She began dancing with Ailey II—Alvin Ailey American Dance Theater’s second company—while she was still a student in the Ailey/Fordham BFA in Dance program, and she joined the main company in 2018, two years after graduating. Last summer, though, she made the leap to devote herself full time to ArtSea, a Bahamas-based arts organization she founded with her brother, Asa Carey, in 2017. Now living on the island, where she spent time visiting family as a child, Spears works to bring high-level dance education and entertainment to the Caribbean and expose young artists to the wider dance world.

Here’s a look at four Fordham College at Lincoln Center graduates, three faculty members, and one former Denzel Washington Chair in Theatre who are among the nominees for Broadway’s highest honor. 

This year’s awards ceremony will take place at the David H. Koch Theater—across the street from Fordham’s Lincoln Center campus—on Sunday, June 16.

Marjuan Canady, FCLC ’08
Hell’s Kitchen

Canady, a Fordham Theatre graduate, is a co-producer of Hell’s Kitchen as part of Score 3 Partners. The musical, from Grammy Award winner Alicia Keys, is a coming-of-age story based on her experiences growing up in New York City. The production received 13 total nominations. 

John Johnson, FCLC ’02
Stereophonic

Johnson, who returned to his alma mater this spring to teach a new course called Creative Producing, is an eight-time Tony Award-winning producer. He’ll be looking to earn his ninth for Stereophonic, which was nominated for Best New Play. It follows a fictional 1970s rock band on the cusp of superstardom and dealing with pressures that could “spark their breakup or their breakthrough.” The production received 13 total nominations. 

Tom Pecinka, FCLC ’10
Stereophonic

Pecinka, a Fordham Theatre grad who is making his Broadway debut, was nominated for Best Featured Actor in a Play for his role as Peter in Stereophonic. The New York Times called his performance “riveting.”

Morgan Steward, FCLC ’19
Suffs

Steward is an associate producer and co-producer of Suffs, which was nominated for Best New Musical after opening on Broadway last month. She graduated from Fordham only five years ago, earning a degree in new media and digital design and communications while interning at the NY1 show On Stage. On April 10, she addressed a group of Fordham alumni and guests at a private reception before they attended a preview of the show. Suffs tells the story of the American women’s suffrage movement in the first decades of the 20th century. The production received six total nominations. 

Dede Ayite
Adjunct Professor, Fordham Theatre
Appropriate, Jaja’s African Hair Braiding, Hell’s Kitchen

Ayite, who teaches Costume Design at Fordham, was nominated for two Tony Awards for her work on three productions—Best Costume Design of a Play, for both Appropriate and Jaja’s African Hair Braiding; and Best Costume Design of a Musical, Hell’s Kitchen.

Santiago Orjuela-Laverde
Adjunct Professor, Fordham Theatre 
Appropriate, An Enemy of the People

Orjuela-Laverde, who teaches Design and Production at Fordham, was nominated for two Tony Awards for his work with dots, a design collective that specializes in creating “environments for narratives, experiences, and performances.” He and his colleagues Andrew Moerdyk and Kimie Nishikawa, are up for Best Scenic Design of a Play for their work on Appropriate and Best Scenic Design of a Play for their work on An Enemy of the People.

Steven Skybell
Adjunct Professor, Fordham Theatre
Cabaret

Skybell, who currently teaches an Acting Shakespeare course, was nominated for Best Featured Actor in a Musical for his role as Herr Schultz in Cabaret. Variety said the romance between his character and Bebe Neuwirth’s “elegant and maternal” Fraulein Schneider “spins a sweet and aching emotional thread” in the latest revival of the 1966 musical. Skybell has starred on Broadway in productions including Fiddler on the Roof, Pal Joey, and Wicked, and his numerous Shakespeare credits include the title role in Hamlet. 

Kenny Leon 
Former Denzel Washington Chair in Theatre
Purlie Victorious

Leon served as the Denzel Washington Chair in Theatre at Fordham in fall 2014, the same year he earned a Tony Award for his direction of A Raisin in the Sun. This year, he’s been nominated for his work as director of Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch, which is up for Best Direction of a Play and five other Tonys. The three-act play tells the story of a Black preacher’s efforts to reclaim his inheritance and win back his church.