The parade drew nearly 400 members of the Fordham community, whose marching performance earned Fordham first place in the Universities category.

It was the second consecutive win for Fordham in the category. Accepting the award on the University’s behalf at the ceremony at Cathedral High School was Shannon Hirrel Quinn, FCRH ’10, assistant director of alumni relations, NYC programming.

Michael J. Dowling, GSS ‘74, president and chief executive officer of Northwell Health, served as Grand Marshall for the parade. A native of Limerick and a former professor of social policy and assistant dean at Fordham’s Graduate School of Social Services, Dowling is believed to be the first head of a hospital to lead the 255-year-old parade.

Update: On March 17, Taylor was the featured speaker at the Fordham alumni brunch prior to the New York City St. Patrick’s Day Parade. Read her talk, “Finding Ireland Outside of Its Myths.”

10. Star of the County Down

A classic folk song from the late 19th century, it’s a great one for chorusing with friends. Definitely one to pull out at the pub!

9. There Were Roses

Written by Tommy Sands during the Troubles, this is one of the most moving pleas for peace in Northern Ireland. I always need tissues handy when I listen to it. I’m particularly fond of Derry singer Cara Dillon’s version.

8. Óró Sé Do Bheatha ’Bhaile

I learned this one in the Connemara Gaeltacht. It’s a rebel song, and the title means “welcome home.”

https://www.youtube.com/watch?v=6VqEtpOdhTE

7. Red Is the Rose

My parents taught me to appreciate this gorgeous love song. No one sings it better than the late, great Liam Clancy. The melody dates back to an 18th-century Scottish air.

6. Pastures of Plenty

Solas does an Irish version of this American classic written by Woody Guthrie. Solas was one of the first bands I discovered working at WFUV, and now I’m a dedicated fan.

5. Last Night’s Fun Set

The title speaks for itself, but this is one of my favorite sets of tunes from one of my favorite bands, the musicians who put women in traditional music on the map: Cherish the Ladies.

4. The Fields of Athenry

Written in the 1970s but set in the years of the Great Famine, this might be my favorite of the canonical Irish folk ballads. No matter how many times I hear it, I never tire of the melody. A couple of years ago, I sang this song with my family when driving though Athenry in east Galway. My favorite Irish folk band, the High Kings, however, have a much better handle on the harmonies.

3. Rare Auld Times

This is my Dublin song. “The Rocky Road to Dublin” comes in as a close second, but this beautiful ballad evokes that quintessentially Irish sense of nostalgia. The High Kings do a gorgeous rendition of this one, too.

2. Paddy in Zululand

I love this set because it represents how Irish trad has mixed with the American music melting pot. Bronx native and fiddling visionary Eileen Ivers gives traditional Irish tunes some homegrown New York flare with her rock, pop, and Afro infusions. I have a tendency to indulge my air fiddle playing with this one.

1. Morning Nightcap

In my opinion, there’s no better set to jam out to than “Morning Nightcap.” This is trad band Lúnasa’s best piece, and it’s their show-stopping finale at every concert. Wait till the final tune hits—such a foot stomper!

During her time at Rose Hill, she co-hosted WFUV’s long-running popular Irish radio program Ceol na nGael. And in her small classes and student clubs, she further refined her speaking skills and confidence. She’ll put both to use just before the St. Patrick’s Day Parade this month, when she speaks to a Fordham crowd about the University’s distinct Irish heritage.

Taylor’s own Irish heritage has been a constant focus throughout her education. She majored in English literature and Irish studies at Fordham, where she was valedictorian of her class, and studied abroad in Ireland twice. Following graduation, she earned a master’s degree in Irish writing at Trinity College Dublin, and she’s currently pursuing a doctorate at Boston College.

When Taylor first arrived at Fordham, she found herself missing the Irish dances she performed growing up. She joined the Gaelic Society, and at one meeting, a WFUV staffer came by looking for students to get involved with Ceol na nGael.

“I was so desperate for some Irish connection I decided to apply,” Taylor recalls. She started as an intern and served as co-host her sophomore through senior years.  “I was always fond of the contemporary traditional bands—young bands playing and creating new versions of old, traditional tunes,” she says. She also enjoyed speaking with Irish immigrants in the Bronx who would call in with requests and talk about listening to the show with their American grandchildren.

“One of the craziest things to happen to me while I was hosting the show was  [at] an outdoor concert  [in Manhattan] by Cherish the Ladies,” Taylor says. “I happened to start chatting with a man and his wife seated beside me, and they almost instantly recognized my voice from Ceol na nGael. The man figured out who I was before I introduced myself.”

Ceol na nGael—one of few shows on WFUV hosted solely by students—boasts 40,000 weekly listeners. The program recently celebrated its 40th anniversary with a concert at the New York Botanical Garden in the Bronx, which Taylor was proud to attend. “[Ceol na nGael] is this interesting small village of New Yorkers and Americans who have an interest in Irish culture,” she says, “and I was lucky to be involved in it.”

Her own family’s roots go back to County Clare in Ireland. “My parents always had the Irish music on, and it was natural that I would fall in love with it,” Taylor says. Her commitment to her education comes in part from her grandmother, who was raised in a Catholic orphanage in Brooklyn in the 1930s.

“She was always really studious herself and a really bright woman,” Taylor says. “She wasn’t able to have continued schooling, and I think even though I was little, I absorbed that and wanted to work hard and get a really good education in her honor.”

Taylor’s research interests at Boston College include discovering lesser-known Irish authors. “There’s a romanticism and a melancholia that is just so quintessentially Irish but isn’t fake in any way,” she says of Irish literature. “It’s part of that complicated interrogation of what Irishness means.”

Despite being busy with her studies, Taylor found a post-WFUV outlet for her love of Irish music: She writes a column called “Music Notes” in The Irish Echo, contributing album and concert reviews. She recently interviewed Paddy Moloney of the Chieftains. “It was great fun,” she says. “He took the pressure off, even though he’s a legend in Irish music.”

For the first time since 2012, Taylor will be spending St. Patrick’s Day in America (she spent the past two in Dublin), and she’s looking forward to celebrating it with the Fordham community. She’ll speak at the University’s annual pre-parade brunch for alumni and friends, hosted this year by PricewaterhouseCoopers on Madison Avenue. (Read her talk, “Finding Ireland Outside of Its Myths.”)

“I’m really thrilled,” she says. “There’s just something about that march up Fifth Avenue and the grandness in New York that you can’t quite beat, even in Ireland.”

In honor of St. Patrick’s Day, Taylor sent Fordham Magazine her Top Ten Irish Playlist. Listen to it here.

—Courtney Allison

Mother Nature didn’t get the memo about the proximity of March 17th to the first day of spring, but that didn’t stop 250 proud members of the Fordham community from donning their most festive winter duds and marching in the 253rd Annual St. Patrick’s Day Parade.

The morning started with a pre-parade brunch hosted by PricewaterhouseCoopers and then saw the group, led by Joseph M. McShane, S.J., president of Fordham, and Grand Marshall John T. Ahern of the International Union of Operating Engineers (IUOE), march the nearly two-mile parade route, Irish eyes smiling the whole way.